Project Week at Headwaters School: Turning curiosity into creation

Paul Lambert, Headwaters School mathematics guide

Like Paige Arnell’s recent guest post for the blog, this piece by Paul Lambert is about one school’s approach to creativity—in this case a step-by-step collaborative method to get special student projects underway. Paul is a mathematics guide at Headwaters School in Austin, Texas.

Every year since 2004, Headwaters School has held Project Week, a unique departure from regular classes during which students choose their topic of study, determine their learning objectives, and share their passions with our school community. Over the years, Project Week has inspired a variety of creative projects, including building a robotic wolf, writing and illustrating a children’s book, designing a biometric sensor, and producing a short documentary about Project Week itself.

Embarking on a big creative endeavor like this can feel overwhelming for our students, so for the last two years we have instituted a structured, step-by-step idea-generation process tailored for middle and early high school students. This framework allows every student to transform their curiosity into a fully realized creation.

Step 1: Brainstorming

We start by getting students' creativity flowing. Each student spends five uninterrupted minutes writing their interests, curiosities, or things they’d like to explore on sticky notes—one idea per note. To encourage a productive session, we emphasize three practices:

• Deferring judgment: Every idea is valid at this stage of the process.

• Encouraging wild ideas: Unconventional concepts often lead to breakthroughs.

• Prioritizing quantity: More ideas mean more possibilities.

By the end of this stage, students have a stack of sticky notes brimming with potential.

Step 2: Mind-Mapping

Next, students work in groups of three or four to organize their sticky notes into categories. Each group decides how to categorize ideas and how each idea fits inside the category. Then, they create a mind map with “Project Week” at the center and their categories branching out as spokes. This collaborative activity helps identify connections and themes, setting the stage for focused exploration.

Headwaters students mind-mapping

Step 3: Concept Development

Once students have collected and categorized their interests, they dive into developing some full project concepts. Students are encouraged to think about how they could combine multiple interests (from the same category or across categories) into one project idea. This is a process that takes time and a great deal of careful consideration.

1. Each student divides an 11" x 17" sheet of paper into three sections and is given 15 minutes to develop three distinct project ideas with as much detail as possible.

2. The papers are then passed to the next member of the group. Each student has 3 minutes to add to or modify the concepts on this page, ensuring no one erases anything.

3. Papers are passed around the group until all members have added to each paper.

This method encourages diverse perspectives while preserving the originality of each idea.

Concept development in a Headwaters classroom

Step 4: Gallery Walk

To gather broader feedback, we have a Gallery Walk. Students display their concept pages around the room or on their desks, and their peers provide constructive comments and suggestions as they stroll around the space. To foster a supportive environment, we ask students to offer two positive remarks for every critique.

By the end of this stage, each concept is enriched with fresh insights, helping students refine their ideas further.

Step 5: Finalizing the Project Idea

With these improved ideas, students choose one concept to develop into their final Project Week plan over the next week. They reflect on key questions to guide their decision:

• What do you hope to learn?

• What skills do you hope to develop?

• What do you hope to create?

• Why is this project important to you?

• Why is this project interesting to you?

Answering these questions helps students articulate the purpose and significance of their project, preparing them to pitch their ideas the following week.

Why This Process Works

This idea-generation process was adapted from the Engineer Your World course at the University of Texas and designed with our middle and high school students in mind. It breaks the intimidating task of starting a project into manageable, engaging steps while fostering creativity, collaboration, and critical thinking. By the time students present their project pitches, they’ve already invested thought, effort, and enthusiasm into their ideas while also receiving feedback, lowering the risk when presenting.

A Headwaters sixth-grade passion project on female artists

Through brainstorming, mind mapping, developing their concepts, and peer feedback, students learn how to turn a simple curiosity into a meaningful project—and, in the process, discover the joy of exploring their passions.

—Paul Lambert, Mathematics Guide | Headwaters School

Beyond the ABCs: Understanding progressive education

 Photo by Daiga Ellaby on Unsplash

Guest contributor Geoff Harrison is the founder and head of school at The Compass School. With over three decades of experience in education, he is bringing a new school to Austin: a school where students embark on a journey of curiosity, discovery, and learning rooted in research and progressive education principles.

As a parent, you want the best for your child's education. You've likely heard the term "progressive education," but what does it actually mean? It's more than just a buzzword; it's a philosophy that puts your child at the center of learning, emphasizing critical thinking, creativity, and collaboration over rote memorization. It promotes a joy for learning and helps to cultivate lifelong learners. This article will break down the core principles of progressive education to help you understand if it's the right fit for your family.

The Beginning of Progressive Education

Progressive education didn't spring from one single source but rather evolved from a confluence of ideas and movements, primarily in Europe and the United States, spanning the 17th to the 20th centuries. The term “American Progressive Education” was coined in the 20th century by John Dewey, Maria Montessori, Caroline Pratt, and Lucy Sprague, and it has been supported by recent neuroscience research, which acknowledges that a child who has autonomy—a voice in their own education—learns best.

It's important to note that progressive education has taken various forms and interpretations over time. While some approaches emphasize individual freedom and creativity, others focus on social reform and preparing students for democratic citizenship. However, the core principles of child-centered learning, active engagement, and critical thinking remain central to the philosophy.

Traditional education often focuses on memorizing facts and figures, preparing students for standardized tests. Progressive education takes a different approach. It believes that true learning comes from active engagement, exploration, and discovery. Instead of passively receiving information, children in progressive classrooms are encouraged to ask questions, investigate, and construct their own understanding. Students pursue their curiosity, develop compassion, cultivate courage, and enjoy a level of autonomy.

It’s All About the Learner, the Whole Child

Child-centered learning is at the heart of progressive education. The curriculum is designed to meet the individual needs and interests of each child. Teachers act as facilitators, guiding students’ learning journeys and providing support where needed. Learning is personalized and relevant to the child’s world. Progressive education also emphasizes hands-on, experiential learning. Students learn by doing, through projects, experiments, and real-world applications. This active approach fosters deeper understanding and makes learning more engaging.

Developing critical thinking skills is a priority in progressive schools. Students are encouraged to analyze information, evaluate different perspectives, and solve problems creatively. They learn to think for themselves, rather than simply accepting what they are told. Collaboration is another key component. Students work together on projects, learning to communicate effectively, share ideas, and respect diverse viewpoints. This fosters social skills and prepares them for collaborative work environments in the future.

Progressive education recognizes that children are more than just their academic abilities. It emphasizes the development of the whole child, including their emotional, social, and physical well-being. Schools often incorporate arts, music, and physical activity into the curriculum. Progressive classrooms often operate on democratic principles, where students have a voice in their learning and classroom management. This fosters a sense of ownership and responsibility. While assessments are still important, progressive schools tend to use a variety of methods to evaluate student learning, including portfolios, projects, exhibitions, and self-assessments. The focus is on understanding a child's growth and progress, rather than just assigning a grade.

Photo by Maxence Pira on Unsplash

The principles of progressive education have no limitations to where a child can grow and develop. It meets the needs of every child on their journey and promotes opportunities for advancement based on the individual child and not just standards. Learn more about it on the Progressive Education Network.

Geoff Harrison | The Compass School

What is critical thinking?

Guest contributor Stephanie Simoes is the founder of Critikid.com, a website dedicated to teaching critical thinking to kids and teens through interactive courses, worksheets, and lesson plans.

“Critical thinking” is a trendy term these days, especially in the education world. Alternative schools in Austin commonly advertise that they encourage kids to think critically. Conversations about critical thinking are often accompanied by some version of the Margaret Mead quote, “Children must be taught how to think, not what to think.” But such discussions often neglect a crucial question: “What does it mean to teach children how to think?” Critical thinking is an abstract term. Are we all on the same page when talking about it?

As the founder of a critical thinking site for kids, this question is important to my work. We all get what “thinking” is, so the real question is—what makes it “critical”? I like to use a simple definition: critical thinking is careful thinking. It requires slowing down and questioning our assumptions.

Fast and Slow Thinking

Our brains are hardwired to respond to stimuli quickly, a crucial advantage in emergencies. When faced with a potential threat, immediate reaction is essential—there’s no time for deliberation. While this quick thinking might make us mistakenly perceive a harmless situation as dangerous, it’s a safer bet to err on the side of caution in high-stakes moments. It’s a matter of survival: better to assume danger where there is none than to overlook a real threat.

While fast thinking[1] is a valuable skill, it is prone to errors.

Here’s an example. Try to answer this question in less than 5 seconds:

If 1 widget machine can produce a total of 1 widget in 1 minute, how many minutes would it take 100 widget machines to produce 100 widgets?

After you’ve given your quick, intuitive answer, take as much time as you need to think about it.

Many people’s initial, intuitive response is 100 minutes. However, with more careful thought, we see that the correct answer is 1 minute. (The production rate per machine is 1 widget per minute. The rate doesn’t change with the number of machines.)

The key takeaway of this puzzle is that careful, deliberate thinking is often more accurate than quick thinking.

Applying slow, careful thinking to every daily decision would be impractical. Imagine how long you would spend at the grocery store if you conducted a deep analysis of every single choice! In many cases, our intuitive, fast thinking serves us well. However, problems can arise when we cling to the conclusions drawn by our fast thinking—especially in situations where accuracy matters.

In the widget machine problem, it’s relatively straightforward to recognize and correct our intuitive response with a bit of careful thought. However, letting go of our intuitive conclusions is not always this easy.

Humility and Critical Thinking

We might cling to our intuitive answers, even when faced with clear evidence or reasoning that challenges them, for several reasons.

First, it can be hard to change our minds when the intuitive answer feels very obvious or the correct answer is very counterintuitive. A famous example is the Monty Hall Problem. The correct answer to this puzzle is so counterintuitive that when Marilyn Vos Savant published the solution in Parade Magazine in 1990, the magazine received around 10,000 letters (many from highly educated people) saying she was incorrect!

It can also be challenging to let go of wrong answers when we have invested in them, such as by spending time and energy defending them. Sometimes, it’s simply a matter of not wanting to admit we were wrong.

Critical thinking requires more than just slow, deliberate thought. It also demands an open mind, humility, and an awareness of our minds’ flaws and limitations.

Building Blocks of Critical Thinking

Paired with slow, deliberate thought and humility, the following tools help us to be better critical thinkers so we can communicate more clearly—even when communicating with ourselves:

1. An understanding of cognitive biases: These are systematic errors in our thinking that can lead us astray. There are many online resources that explore these biases in detail.

2. An understanding of logical fallacies: These are flawed arguments. Logical fallacies can be used deliberately to “win” a debate, but they’re often made accidentally. Recognizing logical fallacies helps us to keep conversations on track. You can learn about some common logical fallacies in my Logical Fallacy Handbook or teach your kids about them with my online course, Fallacy Detectors.

3. Science literacy: We were taught many facts in science class, but many of us never really learned what science is and how it works. This is the foundation of science literacy. For an introduction to this, I recommend biology professor Melanie Trecek-King’s outstanding article “Science: what it is, how it works, and why it matters.” Another important part of science literacy is knowing How to Spot Pseudoscience.

4. Data literacy: Data literacy is the ability to properly interpret data to draw meaningful conclusions from it (and to know when drawing certain conclusions is premature). It means understanding how data is collected, identifying potential biases in data sets, and understanding statistics. Data literacy helps us make sense of the vast amount of information we encounter daily. You can introduce your teens to some common errors in data collection and analysis in Critikid’s course A Statistical Odyssey—a course that adults have enjoyed and learned from, too!

Preparing Kids for the Misinformation Age

A quick scroll through social media reveals a minefield of bad arguments and misinformation. You have probably come across logical fallacies like these:

“You either support A or B.” (False dilemma)
“Buy our product—it’s all natural!” (Appeal to nature)

The lack of science literacy among influential voices is also concerning. I can’t count how many times I have seen or heard the phrase,

“Evolution is just a theory.”

This phrase confounds the scientific and colloquial definitions of theory. If unintentional, it demonstrates a lack of science literacy; if intentional, this is a logical fallacy known as “equivocation,” in which a word is used in an ambiguous way to confuse or mislead the listener.

The need for data literacy is also apparent. You may have heard arguments like:

“Illness X has increased since Y was introduced, so Y must be the cause.” (Mistaking correlation for causation)
“There are fewer cases of food poisoning among people who drink raw milk than those who drink pasteurized milk.” (Base rate neglect)

We have an incredible amount of data at our fingertips, but without data literacy, we don’t have the proper tools to make sense of it all.

Critical thinking shouldn’t be taught as an afterthought; it needs dedicated, explicit instruction. Children face a battlefield of misinformation and faulty logic every time they go online. Critical thinking is their armor. Let’s help them forge it.

Stephanie Simoes | Critikid.com

[1] Nobel-prize-winning psychologist Daniel Kahneman calls fast thinking “system 1 thinking” in his book Thinking, Fast and Slow. I highly recommend this book to anyone who finds the content of this blog post interesting.

Finding balance in a self-paced process

Samantha Jansky and Janita Lavani are co-founders of Ascent: An Acton Academy in North-Central Austin. With many years of experience as Socratic guides and Acton curriculum developers, they have a lot to say about the balancing act required of both learners and adults in a flourishing self-paced learning environment. We’re pleased they agreed to share some of their wisdom with us on the Alt Ed Austin blog.

The ingredients of a healthy self-paced learning process can prove empowering and set learners up for success for life. However, there’s an element of balance required to pull them all together. Paradoxically, autonomy requires accountability, and flexibility requires structure. While it might seem as though these are in conflict, they work in tandem to give much-needed balance to an individual’s learning process.

Autonomy, as you could have guessed, is at the core of self-paced learning. At Ascent, the learners determine for themselves how and when to approach their work. They do so when they are motivated through pursuing their curiosities, when they are equipped to engage freely in their environment, and when they practice toward mastery. Learners are not bound by limits placed on them because of their age. They can go as far and beyond what is expected of them in a particular subject. They can also choose when to work on the material; perhaps they are someone who likes to focus on a certain subject for weeks at a time, or perhaps they like a little balance each day. Ultimately, it is up to them to decide how to approach their work.

The flexibility of self-paced learning plays into genuine autonomy. Learners practice adjusting timelines, revisiting concepts, and incorporating feedback, allowing them to navigate their learning journey with resilience and a growth mindset. it offers the opportunity to practice adaptability in the face of unforeseen challenges and push through when faced with resistance.

This flexibility, however, doesn’t imply a lack of structure or discipline; rather, it encourages individuals to take ownership of their learning journey and create the structure themselves through tools introduced to them (some examples include SMART Goals, the Urgent/Important Matrix, squad frameworks, and the badge system to stay on track). Self-paced learning means you work on each subject at your pace—slowing down when you need to grasp something, and accelerating once you’ve mastered a topic. Self-paced learning empowers individuals to keep moving forward.

One of the most important tools offered to learners in a self-paced environment is goal-setting: establishing realistic objectives and timelines to maintain a sense of purpose and direction. Goal-setting ensures that the learners stay focused, motivated, and accountable. In a learner-driven environment, the learners are accountable to their growth. A key difference between this and more traditional learning environments is that a learner’s standing in any subject area is not compared to a predefined standard; rather, their progress is measured against their past achievements and efforts. The practice of setting SMART (Specific, Measurable, Achievable, Relevant, Tough/Time-Bound) Goals is critical in this regard. A true SMART goal is challenging. It pushes your limits to see what you can do, and it is built upon past progress and learning. This is where the rigor of a learner-driven environment comes into play.

The combination of clear goals, accountability, and active engagement creates a tremendous amount of structure in a learner-driven environment—but it’s not a “top down” structure created by someone else. When the learners have autonomy over their learning and their work output, they are the ones creating the structure they need to thrive, leading to a strong sense of responsibility.

Here’s a story that pulls all of this together. It’s one of many examples we have seen over the years of the magic of balancing autonomy with accountability and structure with flexibility.

It was a chilly February morning, and one learner was celebrating. Running around the studio, she was ecstatic. “I got my level 2 Math badge, I got my math badge!” The other learners in the studio were not silent on the matter, either. Loud jubilation and high-fives took place all over the space.

This young hero had finally found her stride in math—a process that included a lot of help but that was hers to own. For a couple of years, she had struggled to find flow in this particular subject. Her squad frequently supported her in goal setting, and her guides engaged her with questions and challenged her to set tough goals and develop a regular practice. She had the tools, such as SMART goals, a watch that reminded her to take quick breaks before getting back to work, a badge system that offered extrinsic motivators in each subject area, and powerful online platforms. She had the support of her parents, who checked in with her frequently but were also aware of when they needed to give her space; they also left her plenty of space to fail (and to own that, too).

This recipe was one for success, but she needed time to find her stride—to accomplish big wins in math on her timeline, at her pace. This allowed her gradually to build up confidence. She faced setbacks and learned to lean on her support system when she got an answer wrong—asking for help when she needed it—and eventually built up the mental muscle she needed to resist the urge to give up when she got an answer wrong. After months of setting daily math goals to create a habit, having the discipline to tell friends she was working, using her watch, and rewarding herself with reading after she finished her math goal, she created a structure that worked for her and found flexibility in her practice.

She had full autonomy (no one was going to make her do her work) but was also accountable to her goals and to the people she pulled in for support. She felt pressure, but it was rooted in her self-paced striving toward mastery. Most importantly, she owned the whole process, all the ups and downs, and so in the end, she realized her potential all on her own.

Samantha Jansky and Janita Lavani | Ascent: An Acton Academy

The case for expectation-free, exploratory music learning

Grace Thompson is a voice and piano teacher based in Austin. She is a classically trained soprano who graduated from Kennesaw State University in 2021 with a bachelor’s degree in music–ethnomusicology. A longtime advocate for the neurodiverse community, Grace joins us on the blog to discuss her nontraditional methods of teaching music to kids through the Groove Garden program at Eastside Music School.

Musicking: (v.) any activity that includes playing, performing, listening, writing,
recording, or sharing music.

Childhood music lessons. We’ve all been there before, or maybe you haven’t. A parent has signed you up for a music lesson—piano, guitar, violin, or maybe even singing—and you’re getting ready to demonstrate to your teacher what you were meant to have practiced in the time since your last lesson.

Only you haven’t practiced or didn’t get as much practice time as you wanted. Teachers always can tell when a student hasn’t practiced, and you know walking in that your teacher will pick up on your lack of practice. Does this make me a bad student? A bad musician? Will my teacher be mad at me? Or disappointed? Will I ever learn to play this instrument?

As you go to play your instrument, these fears and anxieties course through your still-developing brain and begin to distract you and tell you that you’re not good enough. Playing your instrument has now turned from a fun hobby after school to an insurmountable test. The traditional private music lesson environment can, unfortunately, breed these sentiments in students, eventually turning students off from music as a whole.

Now imagine yourself as an atypical learner. Traditional learning environments are already not geared toward you, and now there is compounded stress from not being able to meet the expectations set by your teacher. These expectations have been set from a hegemonic system of learning music that is centuries old. This system of learning does not reflect the modern learner and is, in part, creating more failures than successes.

As a music teacher, I define success as a student being happily engaged in their studies, followed by an improvement in their technical and theoretical abilities. To support this type of musical education, the environment must be conducive to every learner, and we can create these environments by leading exploratory-driven, expectation-free music classrooms.

Musicking is a life-long process that no one will ever truly master. It is the embodiment of “about the journey, not the destination,” so we should present to students this idea of a musical journey. Twists, turns, and unforeseen circumstances may occur on our journey through a musical life, and allowing students to explore for themselves will well-equip them to navigate these changes. Perhaps a violin student watches a harpist and becomes enamored with this new instrument, or a classical piano student wants to begin playing jazz repertoire. These changes in instrument or repertoire are not typically supported in a traditional music education environment due to the expectations to stay with and master one particular instrument or genre.

Taking out the expectations of a traditional music classroom environment gives students fewer restrictions to explore different areas of music they might not have been exposed to before, and more confidence to try without the fear of failure or rejection. Expectation-free learning passes the baton into the hand of the students to create and express themselves without any limitations. Autonomy is given back to the child, therefore creating a more enthusiastic student. Exploration-led classrooms also promote social growth through a free exchange of ideas between peers, unclouded by any pre-existing musical “rules.”

Music education is vital to all people, but especially children, as it has been linked with a plethora of brain-boosting qualities such as supporting language and reasoning skills, emotional intelligence, coordination and fine motor skills, memorization and imagination, and intellectual curiosity, among many others (see nafme.org). Learners who find themselves on the Autism spectrum or any other spectrum of learning differences can especially reap the benefits from any of these characteristics.

Music plays a part in many other fields of academia, and finding an interest in music can help support other areas of interest for students as well, such as math, science, visual arts, and history. Music also supports a social outlet for students who lack interaction with peers, whether because of developmental differences or more solitary forms of education such as homeschooling or virtual learning.

Eastside Music School’s Groove Garden is an inclusive music class for children of all ages, backgrounds, and learning styles. It’s designed for kids to learn and make music together in a way not normally offered in traditional music classes or private lessons. Parents are also welcome to join their students as parents play a fundamental role in the student/teacher relationship. We encourage exploration-based learning as well as expectation-free instruction. In this class, we aim to give students the basics of music education, such as rhythm, melody, harmony, and instrument types, while also allowing for independent and group playing as well as encouraging student leadership and autonomy. While children in traditional music education are often given very little voice, if any, in what they choose to study, at the Groove Garden, we allow students to have a say in what kinds of music to study and activities they enjoy.

The next Groove Garden class will be held on Thursday April 27, from 3pm to 4pm at Eastside Music School.

Grace Thompson | Groove Garden

Why I instruct my students in the art of lock picking

Guest contributor Ken Hawthorn is the founder of Austin School for the Driven. Students at Driven smash educational silos and question the premise of the question in their learning journey. Hawthorn is the author of Super Arduino. Outside of Driven, he consults with both Austin Community College and the University of Texas at Austin on makerspace education and design.

The Real Deal

Over the last eight years, I have offered my students instruction in lock picking. I am not talking about just sticking a paperclip in a hallway doorknob, but how to systematically pick the same locks you find on 80 percent of residential and business front doors. I offer this instruction starting in 5th grade. For students to get consistent at this skill, they need quite a few hours of practice. Why would I take class time to do this?

A Physical Analogy for Life

The person who does not know how to pick locks lives in a world where every locked door is a hard no. There is no choice to open that door. Having taught perhaps 400+ people to pick locks over the years, I have never had one student, child or adult, report back to me that they changed their behavior in any way after learning to do it. So why am I teaching this skill?

The answer is that there is a huge mental shift in someone who has learned to pick most of the locked doors that surround them every day. It’s a shift from “every locked door is a hard no” to “every locked door is a polite request to please keep out”—the choice is now up to the individual. This is really significant in the context of personal agency—the level of internal belief that you can change the world around you. When my students have learned lock picking and then have an idea in high school or college and someone says, “That’s a stupid idea,” they are more likely to reply with a “Thank you for your perspective; I will make my own judgment.”

We don’t normally raise our children with a lock on the cookie jar through age 18. Pretty early on, students need to know that they can open the cookie jar at any time and must use their executive function skills to do so when given permission and not count on a physical lock to deter them. 

I have found that around 5th grade is the right time to give students this lens through which they can see that the world is theirs to navigate and that they should have the knowledge and tools to go where they want—all the time doing so in the context of social rules and contracts that they choose to follow. From cars to kitchen knives, students going into high school will need to wield tools that require this commitment to using them correctly and within the social context they are navigating.

The Lock as a System

What is the nature of a lock? A lock is a system. Our goal is to turn the keyway in a lock. This requires that the internal pins of a lock line up in just such a way where each pin is held not too low or too high. For most front door locks, this means about 31,000+ possible key patterns to lift each pin into exactly the right position. Without a key, we need to use micro-tactile feedback with the pick and a turning tool to set each pin correctly and keep each pin in position as we are working on the next pin. This is difficult and takes concentration, but with practice, locks go from a black box to a well-understood system that can be opened with the application of skills and the right tools.

How to Learn More

Now that you know why I teach my students how to pick locks, let me leave you with the resources to learn this on your own.

Image Credit: Deviant Ollam / deviating.net

Deviant Ollam has a great set of open-source materials to learn lock picking. This link is a rabbit hole of knowledge. He came out and led a great workshop for students at the Texas School for the Blind and Visually Impaired.

In Austin you have a couple of free hands-on resources to learn lock picking:

• The Longhorn Locksport Club meets every other Saturday at Batch Brewery.

• Austin School for the Driven puts out a free table at the SFC farmer’s market every other Saturday (weeks Longhorn Locksport is not meeting).

My hope is that groups of students and adults learning to pick locks will start to be described as engaged in locksport vs. lock picking. Whatever you want to call it, I will continue to teach these skills because I have seen the benefits for my students.

Ken Hawthorn | Austin School for the Driven